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Phd art history dissertation

Phd art history dissertation

phd art history dissertation

The PhD dissertation must be based on individual research and writing and make an original and high-quality contribution to art historical scholarship. It is expected that the dissertation will change in content and focus throughout the course of research and writing The dissertation represents the culmination of years of graduate training. For many, the pages of the dissertation are stained with blood, sweat and tears. And coffee. And more tears. Since , when the first dissertation was presented to the history department for doctoral qualification at Yale, hundreds of scholars have since followed that same path, dedicating themselves Nov 08,  · The Doctor of Philosophy program in art history requires a minimum of 72 s.h. of graduate credit. Ph.D. students are expected to acquire great breadth and depth of knowledge in the discipline of art history, achieve a high level of expertise in a specialized field, and demonstrate professional speaking and writing skills. The program provides them with scholarly challenges



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Europ: Expanded Cinema, Projection and the Film Co-op in Western Europe, —phd art history dissertation, Drew E. Inevitable Associations: Art, Institution, and Cultural Intersection in Los Angeles, —Liz Hirsch. Xanthus Smith: Marine Painting and NationhoodEva C. Art After Dark: Economies of Performance, New York City —Meredith Mowder. The Integration of Art, Architecture, and Identity: Alfred Kastner, Louis Kahn, and Ben Shahn at Jersey HomesteadsDaniel S. The Making of Transpacific Video Art, —Haeyun Park.


The U. The Painter and His Poets: Paul Gauguin and Interartistic Exchangephd art history dissertation, Aaron Slodounik. Compromised Values: Charlotte Posenenske, —PresentIan Wallace.


Traditions and Transformations in the Work of Adál: Surrealism, El saineteand SpanglishMargarita J. Norman Lewis: Linearity, Politics, and Pedagogy in His Abstract Expressionism, —Andrianna T. The Art of Opacity: Guy de Cointet in L. Northwest Coast Native Art Beyond Revival, —Christopher T. Staging the Modern, Building the Nation: Exhibiting Israeli Art, —Chelsea Haines. Labor and the Picturesque: Photography, Propaganda, and the Tea Trade in Colonial India and Sri Lanka, —Leila Anne Harris.


The International Rise of Afro-Brazilian Modernism in the Age of African Decolonization and Black PowerAbigail Lapin Dardashti. Accomplices in Art: The Expansion of Authorship in the s and '80sSydney Stutterheim. Added Interpretive Centers at U. War Memorials and the Reframing of National HistoryJennifer K.


Stills of Passage: Photography and Migration in the US-Mexico Borderlands,Nadiah Phd art history dissertation Fellah. Arts et Métiers PHOTO- Graphiques : The Quest for Identity in French Photography between the Two World WarsYusuke Isotani. Crossing the Atlantic: Italians in Argentina and the Making of a National Culture, —Lauren A.


The Evolution of the Centaur in Italian Renaissance Art: Monster, Healer, Mentor, and ConstellationTrinity Martinez. Weaving Modern Forms: Fiber Design in the United States, —Sarah Mills. The "I" of the Artist-CuratorNatalie Musteata. Ray Johnson: Collage as Networked "Correspondance"Gillian Pistell. Mechanical Kingdoms: Sound Technologies and the Avant-Garde, —phd art history dissertation, Lauren Rosati.


Minor Forms, Dismantled Norms: Mediums of Modernism in PakistanGemma Sharpe. Framing the City: Photography and the Construction of São Paulo, —Danielle J. Between the Cracks: From Squatting to Tactical Media Art in the Netherlands, —Amanda S. Writing with Light: Cameraless Photography and Its Narrative in the sKaren K. Bloomsbury's Byzantium and the Writing of Modern ArtElizabeth Sarah Berkowitz. The Labyrinth and the Cave: Archaic Forms in Art and Architecture of Europe, —Paula Burleigh.


Creating Art, Architecture, and the Afterlives of the Mexican Student MovementMya B. Cellist, Catalyst, Collaborator: The Work of Charlotte MoormanSaisha Grayson. Modern Arts and Pueblo Traditions in Santa Fe, —phd art history dissertation, Elizabeth S. Rising Above the Faithful: Monumental Ceiling Crosses in Byzantine CappadociaAlice Lynn McMichael. Lauretta Vinciarelli in Context: Transatlantic Dialogues in Architecture, Art, Pedagogy, and Theory,Rebecca Siefert.


Prints on Display: Exhibitions of Etching and Engraving in England, sNicole Simpson. Open Works: Between the Programmed and the Free, Art in Italy toLindsay A. Pei, William Zeckendorf, and the Architecture of Urban RenewalMarci M. Posthumanist Animals in Art: Phd art history dissertation and Belgium,Arnaud Gerspacher. On London Ground: The Landscape Paintings of Frank Auerbach and Leon KossoffLee Hallman.


Phd art history dissertation Beuys and Social Sculpture in the United StatesCara M. Claude III Audran: Ornemaniste of the Rococo StyleBarbara Laux. Exhibitions of Outsider Art SinceChristina McCollum. Mónica Mayer: Phd art history dissertation and the Development of Feminist Art in Contemporary MexicoAlberto McKelligan Hernandez. Ludic Conceptualism: Art and Play in the Netherlands, toJanna Therese Schoenberger. Communicationists and Un-Artists: Pedagogical Experiments in California,Hallie Rose Scott.


Left and Right: Politics and Images of Motherhood in Weimar GermanyMichelle L, phd art history dissertation. From Design to Completion: The Transformation of U. War Memorials on the National MallSara Jane Weintraub. The Emergence of the Bird in Andean Paracas Art. The Moving Image in Public Art: U. and U. Modernism with a Human Face: Synthesis of Art phd art history dissertation Architecture in Eastern Europe,Nikolaos Drosos.


Building in Public: Critical Reconstruction and the Rebuilding of Berlin afterNaraelle Hohensee. The Bauhaus Wall Painting Workshop: Mural Painting to Wallpapering, Art to ProductMorgan Ridler. Provisional Capital: National and Urban Identity in the Architecture and Planning of Bonn,Samuel L. Developing Italy: Photography and National Identity during the Risorgimento,Beth Saunders. Finish Fetish: Art, Artists, and Alter Egos in Los Angeles of the sMonica Steinberg.


Nature and Nostalgia in the Art of Mary Nimmo MoranShannon Vittoria. A Merchant-Banker's Ascent by Design: Bartolomeo Bettini's Cycle of Paintings by Phd art history dissertation, Pontormo, and Bronzino for His Florentine CameraRichard Aste.


On the Fringe of Italian Fascism: An Examination of the Relationship between Vinicio Paladini and the Soviet Avant-GardeChristina Brungardt. Let The Record Show: Mapping Queer Art and Activism in New York City,Tara Jean-Kelly Burk. Maude I. Kerns: Overlapping Interpretations Of Art And Pedagogy In The Northwest And Along The Pacific Coast, —Mary Helen Burnham. Contemporary Art and Internationalism at the Solomon R. Guggenheim Museum,Rachel Chatalbash.


Los Grupos and the Art of Intervention in s and s MexicoArden Decker. The Hall of Fame for Great Americans: The Evolution of a Forgotten MemorialSheila Gerami, phd art history dissertation. Mobilizing The Collective: Helhesten And The Danish Avant-Garde,Kerry Greaves. Death and Photography in East Asia: Funerary Use of Portrait PhotographyJeehey Kim. Native American Chic: The Marketing Of Native Americans In New York Between The World WarsEmily Schuchardt Navratil.


The Print Portfolio and the Bourgeoisie in Fin-de-Siècle ParisBritany Lane Salsbury. A Light in the Darkness: Argentinian Photography During the Military DictatorshipAna Tallone. The Architecture of Nineteenth-Century Cuban Sugar Mills: Creole Power and African Resistance in Late Colonial CubaLorena Tezanos Toral.


Nicholas Magazine: A Portable Art MuseumMary Frances Zawadzki. Manuel de la Cruz Gonzalez: Transnationalism and the Development of Modern Art in Costa RicaLauran Bonilla-Merchav.


From Berlin to Broadacres: Central European Influence on American Visionary Urbanism,Margaret Herman, phd art history dissertation.


Italians and the New Byzantium: Lombard and Venetian Architects in Muscovy,Ellen A. Roma in Lima: Italian Renaissance Influence in Colonial Peruvian PaintingChrista Irwin. Apotheosis of the Public Realm: Civic Classicism in New York City's Architecturephd art history dissertation, Paul Andrija Ranogajec. Disseminating Devotion: The Phd art history dissertation and Cult of the Black Christ in Colonial Mexico and Central AmericaElena FitzPatrick Sifford.


Dynamics and Divisions at the Salons of The Rose-Croix: Statistics, Aesthetic Theories, Practices, and SubjectsMary Slavkin.


Standard Deviations: Reality, Reproducibility, and Politics in Performance Art sinceJonah Westerman. A Feminist Inheritance? Questions of Subjectivity and Ambivalence in Paul McCarthy, Mike Kelley and Robert GoberMarisa White-Hartman, phd art history dissertation.


The Museum of Modern Art's "What Is Modern? Yayoi Kusama: Biography and Cultural Confrontation, —Midori Yamamura. Modern Time: Photography and TemporalityKris Belden-Adams. Colombian Artists in Paris,Maya Jiménez. The Church and Convento of Santo Domingo Yanhuitlan, Oaxaca: Art, Politics, phd art history dissertation, and Religion phd art history dissertation a Mixtec Village, Sixteenth Through Eighteenth CenturiesAlessia Frassani.


Edward Durell Stone: Perception and CriticismMary Anne Hunting. Advanced Search. Home About FAQ My Account Accessibility Statement. Privacy Copyright. Skip to main content. CUNY Academic Works.




Why Art Exists PhD Dissertation Oral Defense

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Ten Successful Dissertation Suggestions On Art History


phd art history dissertation

With that thought in mind, here are the top things that you have to consider if you are interested selecting a topic for an art history dissertation project. How to select a great topic In order to select the perfect topic for you take a few minutes to carefully consider your interests Phd Art History Dissertation. online essay writing service Phd Art History Dissertation delivers Master’s level writing by experts who have earned graduate degrees in your subject matter. All citations and writing are % original. Your thesis is delivered to you ready to submit for faculty review Nov 08,  · The Doctor of Philosophy program in art history requires a minimum of 72 s.h. of graduate credit. Ph.D. students are expected to acquire great breadth and depth of knowledge in the discipline of art history, achieve a high level of expertise in a specialized field, and demonstrate professional speaking and writing skills. The program provides them with scholarly challenges

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